What “Public Enemies” Taught Me About Pack Mentality

Michel Houellebecq is rightly considered by many to be the godfather of the manosphere. His novels Whatever (1994), Atomised (1998), Platform (2001), and The Possibility of an Island (2005) all deal, to a greater or lesser extent, with the impossibility of love in a world where sex has become commoditised. Initially a controversial figure who scandalised French literary society with his nihilistic writings and his habit of drunkenly hitting on female interviewers, he has been accused of racism, misogyny, and Islamophobia while his books have been dismissed as pornography and poorly-written polemic.
More recently, though, his reputation has fared better with Read More

Source: Return of Kings

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